Tag Archives: ap

Reflection, Teaching and Learning, Teaching Literature, Technology

My Experiment with ChatGPT

A Laptop Displaying ChatGPT
Photo by Emiliano Vittoriosi on Unsplash

One of the things I dislike about teaching AP English Literature is that I really need to offer students opportunities to practice for the exam, which means timed writing and multiple choice practice. I don’t think timed writing is pedagogically sound because we are not replicating the kind of writing students will have to do most often in college and career. Sure, students have deadlines, but it will be uncommon for them to have to produce something like a timed essay in the real world. I also tend to ask more open-ended questions rather than multiple-choice questions. I have moved away from giving tests and even quizzes as learning assessments.  But I also don’t want to shortchange my students who plan to take the exam.

I don’t like giving students prompts that are disconnected from our studies. If, for example, we are engaged in a unit on Home and Family and are reading Homegoing by Yaa Gyasi, I would prefer to have students practice timed writing or multiple choice connected to that text or at least to the themes we are exploring in the unit. Unfortunately, the College Board seems to think the best way to organize the class is by genre rather than by theme. Finding timed writing prompts is not too hard, but finding multiple-choice practice based on the texts I teach can be a challenge.

This week, I decided to try ChatGPT to write some multiple-choice questions just to see what would happen. This is the prompt I put into ChatGPT:

Create five multiple choice questions with options A through E about Layli Long Soldier’s poem “Whereas”

Here is a link to the poem. I really didn’t think it would generate much of anything because Layli Long Soldier’s work is not as well known as, say, Robert Frost’s or Emily Dickinson’s. However, in about 15 seconds, ChatGPT generated the following questions:

  1. In Layli Long Soldier’s poem “Whereas,” what is the significance of the title?
    A. It refers to a particular location where an event takes place.
    B. It’s a reference to a legal term used in U.S. government documents.
    C. It’s a metaphor for a state of mind or emotion.
    D. It’s a nod to the Native American oral storytelling tradition.
    E. It’s a reference to a specific historical document.
  2. What is the central theme of Layli Long Soldier’s poem “Whereas”?
    A. The importance of personal identity in the face of cultural erasure.
    B. The complexity and contradictions of language and communication.
    C. The impact of historical trauma on present-day Indigenous people.
    D. The beauty and power of nature as a source of healing and renewal.
    E. The struggle for justice and equality in contemporary America
  3. Which of the following literary devices does Layli Long Soldier use in “Whereas” to convey her message?
    A. Imagery and metaphor
    B. Rhyme and alliteration
    C. Foreshadowing and irony
    D. Flashback and symbolism
    E. Simile and hyperbole
  4. How does Layli Long Soldier use repetition in “Whereas”?
    A. To emphasize the importance of certain ideas or concepts.
    B. To create a sense of rhythm and musicality in the poem.
    C. To convey the speaker’s frustration and anger.
    D. To establish a connection with the reader.
    E. To evoke a particular mood or emotion.
  5. Which of the following best describes the tone of Layli Long Soldier’s “Whereas”?
    A. Angry and accusatory
    B. Reflective and contemplative
    C. Humorous and satirical
    D. Hopeful and optimistic
    E. Sarcastic and ironic

Now, the first question is tricky, but it’s the kind of question with a good distractor. Two answers are pretty good, but one is best. The other four are a bit more straightforward. I think they’re pretty good questions. If I had tried to write them, it would have taken over an hour, I’m sure. I am quite sure I wouldn’t have been able to find questions like this online or in any AP prep books.

I told my students where they came from, and one student who had missed a couple commented, “THAT’S why they suck.” Kidding aside, the students generally agreed they were AP-style questions. They also reflected that when I had asked them to write multiple choice questions as a thinking activity in class, it had taken them a good chunk of our 70-minute period to write just one good question.

I tried again with Layli Long Soldier’s poem “Obligations 2,” and ChatGPT didn’t do as well. I believe the AI confused the poem with another text based on the questions it generated, but I’m not sure which one. Still, I think this is a game-changer for including more quick multiple-choice practice questions on the texts I actually teach.

I decided to try again to see what would happen if I asked ChatGPT to create some discussion questions. Here is the prompt I used:

make up discussion questions based on Zitkála-Šá’s poem “The Red Man’s America”

It generated the following:

  1. What message is Zitkála-Šá conveying in “The Red Man’s America,” and how does she use language and imagery to convey that message?
  2. How does Zitkála-Šá’s personal experience as a Native American influence her perspective on the United States and its treatment of indigenous peoples?
  3. In what ways does “The Red Man’s America” challenge traditional American narratives of manifest destiny and the conquest of the West?
  4. How does Zitkála-Šá’s poem reflect the broader struggle of Native Americans to maintain their cultural identity and resist assimilation into mainstream American society?
  5. What role does nature play in “The Red Man’s America,” and how does Zitkála-Šá use descriptions of the natural world to convey her ideas about the relationship between Native Americans and the land?
  6. How does “The Red Man’s America” compare to other works of Native American literature in terms of its themes and style?
  7. In what ways does Zitkála-Šá’s poem challenge stereotypes and misconceptions about Native Americans that are still prevalent in American culture today?
  8. How does Zitkála-Šá’s poem speak to contemporary debates about issues such as land rights, cultural appropriation, and representation of indigenous peoples in popular culture?
  9. What does Zitkála-Šá’s poem suggest about the potential for Native American cultures to survive and thrive in the face of colonization and assimilation?
  10. How does “The Red Man’s America” speak to broader themes of identity, belonging, and resistance in American literature and culture?

I don’t love all of these questions, but I admit most of them are pretty good, and I would use them in a class discussion. I really thought, again, that I might stump the AI with a lesser-known writer, but I didn’t.

Next, I asked ChatGPT to write me a lesson plan based on three Emily Dickinson poems I want to teach. The lesson plan was okay. It wasn’t great, but it was not terrible, either. I decided I wouldn’t use any of it because I had some other ideas about how I wanted to approach teaching Dickinson’s poems.

I think ChatGPT has the potential to save some time for tasks, but it’s not yet as creative as a human. Still, given how much time teachers spend doing some of these tasks, I think it could be a very interesting tool.

Assessment, Teaching and Learning, Teaching Literature, Teaching Writing

Free Rhetorical Analysis Unit

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I recently found myself in the position of having to teach AP English Language for about five weeks. I won’t get into why that happened. I have never taught AP Lang. I think I’ve taught just about everything else! I decided it would be a good opportunity to do a quick unit on rhetorical analysis, which I have at least taught in the past.

For context, my classes are 70 minutes long, and typically meet three times per week. What follows below is a day-by-day plan for my unit. Feel free to use any of this. I borrowed very heavily from others and acknowledge or link to their work where I was able to do so.

Day 1

I used a lesson from Jennifer Fletcher’s book Teaching Arguments: Rhetorical Comprehension, Critique, and Response. For reference, it’s the Parlor Conversation Metaphor/Learning to Pay Attention lesson in which students examine a painting for ten minutes. I used the same painting as Jennifer and followed her lesson instructions exactly. Because her text is copyrighted, I cannot share the materials here, but I urge you to purchase her book.

Day 2

I introduced students to rhetoric. First, we journaled on this topic: Think of a time someone talked you into doing something or believing something. How did they do it? What tactics did they use? Students may share out journals. I gave students a graphic organizer with a PAPA analysis (purpose, audience, persona, argument) and picked a speech. Frankly, the speech I picked, which was Samwise Gamgee’s speech to Frodo Baggins in The Two Towers, failed spectacularly since students had no frame of reference. Note: that movie is old now. I know. It makes me sad, too. So go cautiously if you use this, but maybe pick something else. You can find a massive list here.

To be honest, I didn’t have time to make my own, so I bought a bunch of graphic organizers from Teachers Pay Teachers. Students worked with a partner to fill out the PAPA graphic organizer. Then we shared out to the class.

For homework, I assigned students an article from Kelly Gallagher’s Article of the Week website. Pick one you like! I picked this one about food deserts because our school is located in one. I asked students to prepare to have a fishbowl-style discussion on the article using the questions on the article (see the end). Before we ended class, I set discussion norms with the students.

Day 3

Students engaged in a fishbowl discussion of the article they read for homework. If you are new to fishbowl discussion, essentially, you divide the class into two groups. The first group is the “inner circle,” whose job is to begin the discussion. It should be student-centered, and the teacher should listen and take notes. I track discussions like this using an iPad app called Equity Maps. The second group is the “outer circle,” whose job is to listen to the first group and take notes. I set a timer for 15 minutes for the first group. Then the groups swap positions and the second group has a discussion while the first group listens and takes notes. After both groups discussed the text, we debriefed the discussion experience:

  • What did you observe during the discussion of the text?
  • What is one thing you heard that you agree with?
  • What is one thing you heard that you disagree with?
  • How did you feel while on the outside of the fishbowl?
  • How did you feel while on the inside of the fishbowl?

For homework, I assigned students to write a reflection on their learning. I have used the same template for seminar reflections for years. I stole it from Greece New York Public Schools well over 15 years ago. Unfortunately, it’s no longer available on their site, so I’m going to try to link it below.

Socratic Seminar Reflection

Day 4

I introduced students to ethos, pathos, and logos. Because students had read Bryan Stevenson’s book Just Mercy over the summer, I returned to his work and shared his TED Talk with them.

As students watched, they took notes on a graphic organizer:

  • Speaker: Who is the speaker?
  • Audience: Who is the intended audience for this speech?
  • Subject: What is the speech mostly about?
  • Context: What was happening in history at the time this speech was given (Stevenson discusses some of this in the speech)?
  • Why do you think the speaker gave this speech?

I drew a triangle on the board and asked students to tell me which of the questions above related to who the speaker was and how he established his credibility. I wrote “ethos” next to the top corner of the triangle and defined it as an author or speaker’s credibility on the topic. Is the speaker or author reliable or credible? Is the speaker or author knowledgeable? Does Bryan Stevenson establish himself as credible? Why or how?

Next, I asked which of the questions above were related to how the audience feels when listening to the speech. I added “pathos” to the triangle on the board and defined it as an appeal to emotions. How does the text make the audience feel? What emotional appeals does Stevenson make? How does the speech make you feel?

Finally, I asked which of the questions above has to do with research, evidence, or facts (this might be a good time to point out that some areas overlap; context, purpose, and subject might appeal to both pathos and logos). I added “logos” to the triangle and defined it as an appeal to logic and reason. How do the facts and evidence support the claim? What appeals to facts, logic, and reason did Stevenson make?

Following this introduction, we discussed the speech using these questions as a guide:

  • What do you think would happen if these three different kinds of appeals were unbalanced? For example, what if the speech had no appeals to emotions? No facts, research, or evidence?
  • What if it were someone else besides Bryan Stevenson (feel free to play with different celebrities here; could Taylor Swift deliver this speech believably? Kanye West?
  • How well do you think this speech balances the three types of appeals?

For homework, students read Martin Luther King, Jr.’s Letter from a Birmingham Jail.

Day 5

I shared the background context (but not the Call for Unity letter… yet) as seen in slide 1 below. Then I posted the questions on slide 2 and asked students to get in small groups to discuss.

We reconvened as a class, and groups shared out the highlights of their discussion. Then I shared the Call to Unity letter so students could check their speculation about question 3 on the slide deck.

I introduced a one-pager assignment on Letter from a Birmingham Jail.

Day 6

I gave students this class period to work on their one-pagers. I supplied paper and colored pencils for students who wanted them.

Day 7

For this lesson, I owe everything to the #TeachLivingPoets crowd. They created the whole lesson and shared it at NCTE in 2018. We read Clint Smith’s poem “Playground Elegy” from the collection Counting Descent. We discussed the following questions:

  • What do you notice?
  • What words and phrases stand out?
  • What patterns do you notice?
  • What is the argument?

Next, I asked students to work with a partner or group of 3 to create a rhetorical triangle analysis of the poem. It’s fun to use big sticky poster paper and markers, which I provided for students. You might want to display a rhetorical triangle for students as a reminder. Students should include the following:

  • Speaker/author
  • Subject
  • Audience
  • Thesis/purpose

Students put their large sticky posters up and did a gallery walk. I made them spend two minutes on each poster so they would really read it. I set a timer and everything! Then I asked them to share something interesting they noticed on another group’s poster.

The one-pagers were due for the next class, so I reminded students to finish them for homework.

Day 8

This lesson was also stolen from the #TeachLivingPoets presentation from 2018. I displayed the slide deck below.

I went through slides 1 (with Fatimah Asghar’s biography) to 5. Then I posted slide 6 and handed out copies of Asghar’s poems “Microaggression Bingo” and “Partition” from their collection If They Come for Us: Poems. Students discussed these questions in relation to the two poems in groups. Then the groups shared with the class.

I wrote SOAPSTone on the board and gave students a SOAPSTone graphic organizer with a chart on both sides of the paper. They analyzed each of the poems using the graphic organizer as a class, but you could easily have them do it in small groups.

Day 9

I introduced an out-of-class rhetorical analysis essay and gave students a list of speeches from which to choose. I said they might also pick another speech, and one student did. I also brought in some essay and poetry collections, but all my students opted for a speech. I asked them to fill out a SOAPSTone graphic organizer on their selected speech. Then, I suggested they examine appeals to ethos, logos, and pathos with examples of each, identify style choices and details and build an analysis:

  • What is the writer’s intention?
  • Who is the intended audience?
  • What is the argument?
  • What is the writer’s strategy to make that argument? Why?
  • What appeals does the writer use to persuade the reader? Why
  • What kind of style does the writer use?
  • What effect does this work have on the audience?

Students had time in class to begin all this planning work.

Day 10

I decided to introduce rhetorical analysis of a film by screening Ava Du Vernay’s 13th, which is available on Netflix or free on YouTube.

As students watched the film, I instructed them to take notes on the following aspects:

  • Appeals to ethos
  • Appeals to logos
  • Appeals to pathos
  • SOAPSTone

This film is over 1:40, so we didn’t finish in one period and carried the film over to the next class.

Students continued working on drafts of their rhetorical analysis for homework.

Day 11

We finished the film and discussed it using the Thoughts, Questions, and Epiphanies method I described in this blog post. Credit for this strategy goes to Marisa Thompson. Here is what I posted for students to guide their discussion:

Students were in groups of 3 or 4, and I gave them 15-20 minutes to talk. Then they shared their top 2 thoughts, questions, or epiphanies on the board, and their ideas guided the rest of our class discussion of the film.

For homework, students finished a first draft of the rhetorical analysis.

Day 12

Writing workshop. Conference with students on their drafts, give them time to read and edit each other’s work, or work on their drafts.

Day 13

Ugh. The test. Most of our students take AP Lang exams, so I gave them the 2021 AP Lang rhetorical analysis (Sonia Sotomayor’s speech) as a timed writing practice. We debriefed the prompt after the timed writing. I gave them a copy of the AP rhetorical analysis rubric and went over it. Then I asked them to score themselves on the rubric and add a sentence to the end of the timed writing explaining how they scored themselves and why.

Day 14

We examined the College Board’s sample essays on the rhetorical analysis for the 2021 prompt on Sonia Sotomayor’s speech and scored them. Then I revealed the scores the essays earned and explained the rationale for the score. My students nailed it. They scored each essay exactly as the College Board did! We also discussed how they feel about their timed writing from the previous class now that they’ve seen models, and most students indicated they feel pretty good. At this point, I was preparing to hand the class over to their new full-time teacher, so she took some time to get to know the students with some games.

Day 15

We played rhetorical analysis Jenga. I decided to have them examine a short piece by Temple Grandin from This I Believe. I introduced students to Temple Grandin by showing this short video.

I owe Melissa Smith and Joel Garza for the idea for the Jenga game, which I adapted from literary analysis. Here is a list of questions I used.

You will need enough Jenga games for students in groups of 3-4. Number the blocks from 1-22. You will repeat numbers, and that is okay.

I also collected final drafts of the rhetorical analysis essay.

The graded assessments in this unit were the fishbowl reflection, the one-pager, and the rhetorical analysis essay. I do not believe in grading timed writing or participation. I think it puts too much pressure on students to grade timed writing when it is practice and should be a formative assessment. I have moved away from grading participation because it is difficult to assess what students are learning. Students may dominate discussion without really learning much to rack up participation grades, or they may be introverted and struggle to speak but still learn a lot, so I just don’t do it. I grade reflections on discussions instead.

That’s it! I hope it’s useful.

Teaching Literature

Tim O’Brien: Story Truth and Happening Truth

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My AP Lit students read Tim O’Brien’s story “How to Tell a True War Story” from the novel/collection The Things They Carried for today. I used the ideas O’Brien expresses in his story “Good Form”—that there is “story-truth” and “happening-truth” and “story-truth is sometimes truer than happening-truth”—as the center of my class’s discussion of the story we read.

I began class by showing students Eddie Adams’s iconic Pulitzer Prize-winning photo Saigon Execution.

Saigon Execution, Eddie Adams, AP Photo

I asked them what they thought the story of this photo was. I gave them a few minutes to think (and write, if they wished). Then we had a class discussion. The students generally came to the same conclusions that many people do when they see this photo: that it depicts the execution of a civilian, that it represents the brutality of war.

The true story behind the photo is more complex. Really, read the article I linked. It’s quite an incredible story.

I used this introduction to set up O’Brien’s ideas regarding “story-truth” and “happening-truth,” and then we discussed O’Brien’s story, starting with the students’ own selections for lines they found particularly powerful. They had many lines to share, and we took the conversation where they wanted to go for a while. I shared a few of the notes I took at Tim O’Brien and Lynn Novick’s session at NCTE last November, mainly his ideas regarding the obscenity of sending young men to war and condemning them for their use of language when a student noted a line that really stood out to him was Rat Kiley’s description of Curt Lemon’s sister as a “dumb cooze.” Why does that word work so much better than “bitch” or “woman,” which O’Brien says Rat Kiley did not say? I asked them. Because it’s truer, they said.

They totally got it. Tim O’Brien would have been proud.

We talked about Rat Kiley torturing the baby VC water buffalo. They argued it was somehow important that it was a baby. That it was VC. That it never made a sound. Somehow, if it made a sound, the story becomes something else. I read them “Good Form,” and we discussed the ideas he presented in that story.

I showed them this interview with O’Brien:

We came full circle at the end of class with the image Saigon Execution. So this image’s “happening-truth” is that the man holding the gun was a South Vietnamese general named Nguyễn Ngọc Loan. He executed the young man because he was a VC terrorist or guerrilla fighter, for lack of a better word, named Nguyễn Văn Lém who had participated in killing 34 people that day.

But the “story-truth” is that the man is a civilian caught up in the brutality of war.

And in a way, that story is also true. Maybe, because it’s the narrative that won the day, it’s “truer than happening-truth.”

As they were packing up, students expressed how much they enjoyed the story. “I liked it so much I read it to my parents,” one student said. Another said, “I could talk about this story for a week.”

Reflection, Slice of Life, Teaching Literature

Re-Reading

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books travel photo

For some reason, Emily Dickinson’s line, “There is no Frigate like a Book / To take us Lands away” is running through my mind after re-reading Michael Cunningham’s novel The Hours. My AP Lit students read and studied Mrs. Dalloway before spring break, and I asked them to read Cunningham’s book over the break. Since it had been quite some time since I read it, a re-read was in order for me, too. I remember it didn’t quite land for me when I first read it. I recognized it was well written, but I couldn’t have foreseen I’d read it again. Because I really love the idea of intertextuality, and also because I borrowed my AP book list largely from a friend and colleague, I decided I’d do Mrs. Dalloway and The Hours together.

My students empathized with Septimus Warren Smith, and they really wanted to talk about him in our discussions, though they also marveled at Virginia Woolf’s writing and tried to connect to Mrs. Dalloway as a character, too. I think they did good work. I will be curious to see how they appreciated The Hours after having read Mrs. Dalloway first, because my first reading of The Hours was years before my first reading of Mrs. Dalloway, and I believe I appreciated The Hours more after understanding how it is in dialogue with Mrs. Dalloway.

What I have really been thinking about today, however, is re-reading. I often tell students that we bring everything we are, everything we’ve read, and everything we’ve done to each book. When we re-read with a gap of time, we often find we respond differently to a book the second time because we are not the same people we were the first time we’ve read, we’ve read more books, and we’ve lived more. In the case of The Hours, my response was entirely different. I connected deeply to the characters in a way I couldn’t when I first read the book 13 years ago.

I remember having the same reaction to re-reading The Catcher in the Rye. I read it as a teenager and despised Holden. Who cares about some ungrateful, annoying preppie teenager roaming New York? How horrified I was when a high school friend once told me he thought all teenage boys were Holden Caulfield. Years later, I saw Holden entirely differently, but it took becoming a mother and a teacher for me to empathize with Holden. Now I love that book and count it among my favorites.

While I know that there is a popular movement in English teaching today to throw out the whole-class novel study, I do still see value in it. I know for a fact that some of the books I am asking my students to read won’t land for them, not yet. I have told them so. And yet there is still value in reading and thinking about these books, letting them rattle around in our brains, and returning to them (if we want to) years later when perhaps we are ready for them to land. At the same time, I do think students need to learn what they like to read in order to become readers, and we should offer opportunities for students to choose what they read as well. The tricky part is not ruin a book so that students have no desire ever to return to it again. Of course, I never really know if students do return to books unless they make a point of telling me, and often they are living their lives, reading other books, and doing other things, so I never know for sure if they pick up a book we studied together, look at it again with their more experienced eyes, and connect to a book in a way they didn’t when they were in my class. But they do at least have the book, somewhere in their minds, and later, perhaps the book might just take them lands away.

Slice of LifeSlice of Life is a daily writing challenge during the month of March hosted by Two Writing Teachers. Visit their blog for more information about the challenge and for advice and ideas about how to participate.

Reflection, Teaching Literature, Teaching Writing

The AP Audit

audit photo
Photo by LendingMemo

Today, I uploaded my AP audit syllabus. What a lot of work. I have been working on this syllabus since about July. I was extremely lucky to have my colleague Cindy Sabik’s AP syllabus from several years ago, which helped me quite a bit, but ultimately, I had to make the audit syllabus my own. I organized it by thematic units, and I have to admit I found Literature & Composition: Reading – Writing – Thinking edited by Carol Jago et. al. extremely helpful in my planning because it, too, is organized by theme, and was invaluable in helping me think about directions in which I might take my class.

I created essential questions for each unit, and I organized a list of authors for shorter works and poetry as well as assessments. I really am crossing my fingers. The materials for the AP audit are lengthy, and though I checked everything against the checklist and think I’ve built a solid syllabus (which actually goes beyond my AP training instructor’s syllabus, which was approved), I will breathe much easier when I find out whether or not the College Board has accepted it.

My AP class has been on my mind. I only meet with my classes three days per week—two 75-minute periods and one 65-minute period. A couple of weeks ago, we had a holiday on Monday and a testing/community service/college visit day on Wednesday—which are the days my 75-minute AP classes meet. We only had one 65-minute class that week, which was devoted to writing workshop of some rumination essays my students had written. I looked at the calendar and realized we needed to get an out-of-class essay in before progress reports. The rumination essay is an assignment I learned about at Kenyon this summer. My instructor, Emily Moore, assigns it to her students and shared the instructions with us. It is a combination of a literary analysis and personal narrative in which students select a quote, analyze it and put it in context, and then connect it to a personal experience. Because I didn’t come up with this assignment, I’ll link you to Stuyvesant High School’s resources for the paper (Emily teaches at Stuyvesant).

My students are currently reading King Lear and A Thousand Acres. I was really impressed with the ways in which students connected to the text in their essays, and because of the nature of the assignment, we didn’t have to have finished reading the play in order to write something substantial. I must admit, I was particularly proud of one of my students, who was also in my regular American literature class last year. He was a most reflective writer, and he quickly emerged as a strong student in that class. I recommended that he try AP this year, and of course, I was thrilled to see him on my roster. He told me recently that he is really enjoying the class. His rumination essay was simply outstanding.

However, in spite of some successes, I have still been worried about the pacing of the course. I fretted about whether I was going too slowly. I was concerned that giving students a play and a novel (and an hard play, to be honest) at the same time as they are completing college applications might be a lot, so I set the pace for reading at an act a week (in class, in small groups), while students read the novel outside of class. I grew concerned that some of my students were not being challenged. I discussed my concerns with two colleagues who also teach AP, and one gave me the obvious and insightful suggestion to simply ask the kids how the pacing was working. Of course. So I did, and they assured me the pace felt “just right” to them.

Whew.

In the same class, we discussed revising and editing their rumination essays and also doing quiz corrections for an AP-style multiple choice quiz I gave them. I suggested if they scored 7/10 or lower, they might do corrections to earn back points. One student asked if that were not unfair to students who earned 8 or 9. I said that I didn’t think two points would make a lot of difference in an overall grade, which was where I came up with my idea about 7/10, but I said he had a point, too. If students want to make corrections and think it will be a valuable use of their time to earn back two points, why not? After all, it’s their learning.

I have to say I’m learning a lot teaching this course, and I am really enjoying it. We have a really democratic classroom, and the students are a lot of fun. I am really enjoying watching and helping them learn. I am so glad I took the time to check in with my students about the class this week. I need to make time to do it on a regular basis. I invited their feedback and shared partly I need their help because I’m new to this, and partly, I really value their comments about the learning. After all, aren’t students are the best kind of AP auditors?

Reflection, Slice of Life

Slice of Life #8: Hanging Out with Glenda

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Slice of LifeLast week, I mentioned how inspiring it was to discover that I had some colleagues at my school with whom I could collaborate as part of a Critical Friends Group®. I think collaborating with teachers outside our individual disciplines or subjects can be really helpful. Secondary teachers can be awfully focused on their subjects and forget what we share in common with all teachers; as a result, they lose out on some pretty helpful collaboration and perhaps, even more important, some supportive friends.

Still, it does help to connect with colleagues in your subject matter. I am glad that my friend Glenda Funk, who lives in Idaho, and I have started collaborating on AP Literature. Both of us are new to the subject this year. We connected via Google Hangout and talked a bit about our respective course outlines and our experiences in AP training this summer. We pooled our resources in a shared Google Drive folder. One of the things Glenda is really good at (and I’m not sure if she realizes this about herself or not) is lighting a fire under others. The Hangout was her idea, and we already have some other ideas cooking (all hers). She is also really good about reminding me to do my Slice when I haven’t. She’s not just a great collaborator but also a great friend. Knowing that she is out there and we can connect easily means I have someone I can run to with the quick question about something I might want to try. We also bounced some other ideas off each other. I told Glenda how I had planned to start off with a chalk talk in my classes and what I thought might be some good questions to ask, and she said that gave her an idea for a lesson tweak she might try on the first day as well. Even better, Glenda mentioned our collaboration on Facebook, and as a result, we’ve invited a couple more friends to join in.

I’ve been working my way through King Lear andA Thousand Acres. I plan to start the year with an introduction to AP—some analysis tools, some practices with both writing and multiple choice, learning how to read, use, and apply the rubric—and my unit on Home and Family with Lear and A Thousand Acres at the center will follow. I am really excited about teaching these pair texts. It has been a while since I read either of them, and they are so rich and powerful. I have been working a bit on a unit, but I realized I needed to finish reading both books completely before I could make progress (and I need my Folger books, which are at school, and I haven’t had a chance to go get them recently).

I think talking with Glenda has energized me, and I don’t think I’d be spending as much time on a unit that is probably about a month away if not for the fire she lights under me. It’s funny how subtle she is about it, too. I often don’t realize she’s prompted me to do something until I’m in the middle of doing it. We all need to have friends like that in our lives. Thanks Glenda!

Glenda and Dana
Photo by Glenda Funk. Next time, I will do something with my hair before we chat! Yikes!
Professional Development, Slice of Life

Slice of Life #6: AP English Literature

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Slice of LifeI have had a busy summer! It seems to be winding down now that I have completed AP English Literature training. Maybe now that I’ve finished most of my summer PD, I will have a bit more time to blog.

Years ago and early in my career, one of my schools was considering sending me to AP Language training, but I moved on to a different school before that happened. I don’t think my previous principal would ever have considered it for a variety of reasons. One of the reasons I finally did it was that our chief AP Literature teacher was overloaded, and I thought it would help him out.

I had a great week at Fitchburg State University in nearby Fitchburg at the training. The other teachers in my group were a great group of educators. Most of them were public school teachers, so I learned a lot about public schools in Massachusetts. Interesting stuff. Frankly, none of what I heard made me want to go back to public schools, though my own children have received a good education from our local public school system. The system just seems designed to frustrate teachers nowadays. It makes me sad. I am a little on the fence about whether or not to continue pursuing my Massachusetts teaching certificate. In some ways, it seems like such a hassle. I am tempted to go for National Board Certification, even though I know the amount of work involved, principally because I wouldn’t have to worry about the different certification rules for different places. (Is that accurate, those of you who are NBCT?) I have wanted to do it anyway.

As to the AP training, my instructor is a brilliant AP teacher. We got a lot of great tools and no-nonsense advice. I liked her a lot. She really helped me clear up why TPCASTT was not working as well for me as I wanted it to (I was, naturally, doing it a little bit wrong—not totally wrong, but wrong enough that the kids were not doing more than scratching the surface). I was dreading the poetry part, I am not going to lie. I know that teaching AP involves teaching a lot of poetry, and frankly, I was feeling like I wasn’t very good at that, but the tools that my instructor gave me have made me feel a lot more confident. I am really excited about the course and getting going now. I was, I admit, feeling a bit intimidated and not at all sure about AP in general. I still think it should be a bit more open than it is at my school, but I learned a great deal about how it functions at other schools. I also learned a lot about the AP rubric and how to grade. I was fairly consistently two points below what the instructor said the College Board graded several of the essays. I guess if you are going to have a grading issue, then grading a little lower is better than being too high because the students will possibly do better on the exam. By the end, though, I was figuring it out pretty well, and the last round of papers we evaluated, I hit the mark each time. The last few days, I’ve been working on reading the books I want to teach and the course audit syllabus. I am feeling pretty confident about the way the course is shaping up.

In other news, I received my new work computer today, and I backed up my old work computer to an external hard drive and restored EVERYTHING without any help. Woo! I was pretty happy with myself. I am going to work a little bit more on my AP materials before I put the computer to bed tonight. The new install went great. It took a little while (but probably less than two hours). I was nervous when the status bar said the time remaining was over 100 hours at one point, but it turns out that the status bar was lying.

What are you up to this fine Tuesday?

Reflection

Meeting Students Where They Are

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meeting halfway photo
Photo by Joe Shlabotnik

I’ve been thinking quite a lot lately about how important it is to meet students where they are. I am not saying we should not have standards, but we are going to have students in our classes, and they are going to be all over the map when it comes to backgrounds, experiences, interests, and ability (for lack of a better word).

I know sometimes I am frustrated that my students don’t know something I would have expected them to know. Granted, I also teach in a private school. Just like any other school, however, we have students from a variety of backgrounds. With those caveats in mind, I would venture to guess that all of us have heard teachers we have worked with who complain about students not knowing something. It might be nice if we didn’t have to fill in what we perceive as gaps, but it’s not realistic, given the different places from which students arrive in our classes.

It took me some time, but I have come to the conclusion that we really need to meet students where they are. I know that many teachers are stressed about high-stakes tests, and yes, that’s not something I need to worry about, so maybe it’s easy for me to talk. Bottom line, I think students need to feel we like them and care about them. Otherwise, it can be hard for them to invest in our classes. Did you invest in classes in which you felt the teacher didn’t like you? I remember I didn’t. Oh, I did my assigned work, but I wouldn’t ever put myself out for a teacher who didn’t care.

I try to see to it that all of my students make some progress while they are in my classroom. For some students, that means feeling more confident. For others, it means turning work in on time. For others, it means reaching for AP classes. Maybe I will feel differently about this issue next year (though I suspect I won’t), when I am teaching an AP class myself, but I am going to try to have the attitude “How can I help this student be successful on the AP exam given where they are now?” rather than “Why is this student in AP?”