All posts by Dana Huff

English Department Chair/English teacher, doctoral candidate at Northeastern University, reader, writer, bread baker, sometime soapmaker, amateur foodie. Wife and mom of three.

Slice of Life #16: NCTE 2015

Slice of LifeI spent a good part of today looking over the workshops for the NCTE Annual Conference. I am noticing a few interesting trends.

First, there seem to be quite a few workshops focusing on using our voices for advocacy. It’s not really surprising that in a time when many teachers feel silenced or ignored, it’s great to see NCTE encouraging teachers to find their voices, and especially to blog. Many folks will say blogging is on the way out, but I maintain it’s still relevant (of course, I must; I’m blogging at this very moment). Time is a very important reason teachers give for not blogging (tech know-how is another). The tools are pretty easy to learn (most of them are WYSIWYG and are familiar to word processor users), but time is not so easy. I maintain, as I frequently do, that we make time for the things that are important to us, and if blogging is important, then we’ll make time for it.

Second, I’m noticing that I am much more drawn to Rainbow Strand and LGBT Strand sessions than I have been in the past. I have been doing some work with inclusive classrooms at school, and I find myself connecting to ideas around diversity. In fact, I have begun to approach my teaching of American literature through this lens.

I am also noticing argumentative writing as a motif in the sessions. I am really not up on the Common Core. I imagine this must be a part of it? (Folks who might not know: I teach in an independent school, and we have created our own Portrait of a Learner.)

I am not sure I can articulate this half-formed thought, but I’m going to try. I find myself at a crossroads of sorts. I’m trying to figure out what I believe as a teacher. I’ve shifted a lot since I started writing this blog. I have written about ideas and beliefs here, and I find that I no longer agree with myself. I don’t think I’ve really processed some of the ways in which I’ve changed. What is non-negotiable? In particular, as my role as a department chair/leader, what do I need to do to bring my department to the place where I want it to be and where the school wants it to be? Like I said, these thoughts are not fully formed. I am trying to figure out exactly who I am as an English teacher. I guess, in some ways, I am working on some identity issues. Perhaps that is why I am so attracted to discussions about students’ identities. I don’t know.

Am I going to see you at NCTE?

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Slice of Life #14: Corrections

Slice of LifeI didn’t write a Slice last week because I’ve been participating in NaNoWriMo, and I spent last Tuesday writing all evening. I did want to share a quick Slice this week because I have a few things on my mind—the first two just housekeeping items.

First of all, I’m prepping for attending NCTE at the end of next week, and I’m hoping to see you all there. If we run into each other, please say hi. Also, if you want to connect while we’re there, let me know that, too.

Second, for those of you who wondered, my AP Audit was accepted. I have written before about how much work went into it. I was relieved and gratified when it passed without any suggested revisions or edits, and I sincerely thanked my instructor, who emphasized the importance of including clear revision policies on the syllabus.

The revision policy leads me to my next point. I have been assigning AP-style multiple choice practice to my students and counting it as a quiz grade. I give students a passage and ten questions at a time. I use total points, so I just count the quizzes ten points. I decided after the first such quiz to allow students who earned 7/10 or less an opportunity to do corrections. I mentioned this policy to my class, and one of my students pointed out he wasn’t sure it was fair for those who earned an 8/10 or better not to have a shot as well. I wasn’t sure if earning back one or two points would make a big difference in the grand scheme of things, but I acknowledged he was right and said anybody could do corrections. Not all of my students opt to do so. Many of them do, however, and after a couple of rounds of quizzes, I’m really pleased that I decided to allow students to do corrections and also that I listened to my student’s feedback about broadening the policy. Analyzing where they went wrong and determining why the correct answer is indeed correct will help them build their analysis skills so that they will perform better on the exam. Even if they opt not to take the exam, it will serve them well in terms of helping them analyze the questions more critically.

Just as an example of the thinking that students do on these quizzes, I offer the following examples. Students were quizzed over the passage near the end of King Lear (5.3) when Edgar is filling in the others on where he has been and what he’s been doing. He says, “List a brief tale, / And when ’tis told, O, that my heart would burst!”

One question on the quiz asked

“The word “list” in line 2 means”

  1. Tell.

  2. Enumerate.

  3. Count.

  4. Listen.

  5. Cunning.

Many students missed this question because “list” is used today more like “B. Enumerate.” However, in the context of the quote, that answer doesn’t make sense, and that particular answer did not prove to be the distractor, as I assumed it would be. Students seemed able to eliminate both “C. Count” and “E. Cunning” with no trouble. They had a little more trouble with the one I thought they would NOT be confused by because Edgar tells his story, so why would he be asking Albany to “A. Tell” a story?

From one student who gave the answer “A. Tell,” his reasoning:

The answer should be D—listen—because it makes more sense for Edgar to be instructing Albany to hear a tale rather than having him tell one, especially when Edgar goes on to tell his story. It caught me off guard a little because I thought that “tell” fit best grammatically, but the idea was wrong.

I thought his reasoning was really interesting and showed a lot of insight into why it might have tripped the students up. He is right: “tell” does fit best grammatically. It might be better to say “listen to” for D to work grammatically, but the answer is, indeed, D, as the student reasoned, and for the reasons he describes.

Another student who missed the same question and provided the same incorrect answer said the following in her correction:

In line 2 it says “List a brief tale, And when ’tis told, O, that my heart would burst.” Here list means to listen, because then it continues on to say when I am done telling my story my heart will burst. It does not make sense for list to mean tell because within the same sentence it says when its [sic] done being told, therefore it wouldn’t make sense to “tell” a story when it is being “told.”

I see what she’s saying, and I think she understands how she went wrong based on what she says in the first part, though it might be more accurate for her to say it doesn’t make sense for Edgar to ask Albany to “tell” him a tale when he then goes on to tell one himself.

A third example from a student who also chose the same answer, “A. Tell”:

Although I initially chose A., the correct answer is D. Although “Listing” and “telling” are both highly synonymous words, the context makes it clear that Edgar is not ordering that the story is being told: “List a brief tale / And when ’tis told, O, that my heart would burst (Lines 1-2). If Edgar was ordering that the story be told, then he would speak in the 2nd person, i. e. “And when thou tells it.” The term “tell” and “enumerate” are also soullessly [sic] synonymous that there would not be now a clear answer if either A. or B. had been chosen.

This student clearly reasons through why he was confused, and it has more to do with the answer I thought would be the distractor: “B. Enumerate.”

One last example:

The reason I put “A. Tell” for this one is because at the end of the sentence Edgar says, “List a brief tale, / And when ’tis told” when I saw “told” I figured “List” was another way of saying “tell.” Before I went and second guessed myself I thought the correct answer was “D. Listen,” evident on my quiz because it was the only other answer I didn’t cross off. “Listen” makes more sense in the context of the statement.

This last student gets to one of the most common reasons students make errors with multiple choice questions: they second-guess themselves and think their first hunches are wrong.

I am learning some really interesting things about my students’ thinking by reading through their quiz corrections. Ultimately, I think it’s great for them to think through why they answered incorrectly and explain why the correct answer is the best answer. It will help them approach these questions with more confidence in the future. I am not concerned about any sort of artificial inflation. I asked myself if I was more concerned about grades or whether or not students learned the material. Since the answer for me is obviously the latter, then I’m happy to give them points back for thinking through their mistakes.

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Diigo Links (weekly)

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Slice of Life #13: Workshopping

Slice of LifeMy American literature students had writing workshop today. We read an excerpt from Michel-Guillaume Jean Crèvecoeur’s Letters from an American Farmer, which I like to read with students because it is the genesis of two tenacious ideas Americans have about themselves: 1) that our country is a great “melting pot,” and 2) that we are somehow a new people (the concept of the “new Adam”) and unique in the world (precursors to American exceptionalism). Crèvecoeur defines an American in the selection we read, and I asked students to write a compare/contrast essay in which they define what they think an American is and see how it aligns or doesn’t with Crèvecoeur’s definition. Students brought drafts to class today to be workshopped.

I have one class that is a bit smaller, and I would characterize the students as lacking in confidence. They can be reluctant to speak up in class discussion sometimes because they second-guess themselves or are afraid of being “wrong.” I have been working on building their confidence, and one of the most surprising methods I’ve tried has been writing workshop. One might think it would be dangerous to try writing workshop in such a class because students who are usually reluctant to participate in class discussions would be doubly reluctant when their own writing is on display. In fact, I have found the opposite to be the case.

We had a student’s paper on the screen today in class. The student said he wanted help with organization, sentence structure, and his introduction. We did some work on the introduction, and by the end of it, it was working well. It also offered an opportunity to clarify some language and to talk a bit about integrating quotes. We took some time to notice and discuss what was working well in the piece. We worked on the sentence structure. One of the students in this class has emerged as a really strong editor. She had some great ideas for alternate word choices and ways to revise sentences to include some more variety. She is particularly astute at holding what the writer has asked for help with in her mind as she makes suggestions. I have noticed many students tend to make comments about whatever they notice, but this girl is a particularly focused editor. I commended her in front of her peers today, and she smiled shyly and said, “I like doing this [editing and revising].” Students who are generally quiet during regular class discussion are more animated in writing workshop.

Another thing I noticed about the student writer was that he had a hunch about some of the issues in his essay. One example he shared went something like “I don’t like that sentence.” I asked him why. He said “I feel like there is something wrong with ‘this.'” Another student said, “Yeah, ‘this’ can be a lot of things.” I said they had zeroed in on a common problem in writing called an unclear pronoun reference, and we spent some time tweaking the sentence until the student decided to add the word “thought”—”this thought”—to clarify what he meant. I bet he and his peers will remember the unclear pronoun reference and look out for it in their writing. I think teachers sometimes think that students don’t believe there are issues with their writing, but it was clear to me today that the student recognized an issue but wasn’t sure how to resolve it, which is where his peers came in.

I think writing workshop is going to be crucial in helping these students develop confidence in English class. I find it interesting that in contrast, my other American literature class, which is usually much more active in class discussion, was a bit quiet and reticent in writing workshop today. While they may have some confidence in discussing ideas in literature, perhaps they are not quite there when it comes to writing.

The smaller class has already asked for a second day of writing workshop. I will offer it to my larger class, and I’ll be interested to see what they want to do. I would like to push them a bit harder with workshop, but I also recognize that they are not comfortable with it yet. I am feeling the tension between helping them build confidence and pushing them into that zone of proximal development.

My favorite quote from a student in that larger class today: “Man, you know a lot about citations. And stuff.”

My goal for the end of the year is for them to say that about themselves.

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The AP Audit

audit photo
Photo by LendingMemo

Today, I uploaded my AP audit syllabus. What a lot of work. I have been working on this syllabus since about July. I was extremely lucky to have my colleague Cindy Sabik’s AP syllabus from several years ago, which helped me quite a bit, but ultimately, I had to make the audit syllabus my own. I organized it by thematic units, and I have to admit I found Literature & Composition: Reading – Writing – Thinking edited by Carol Jago et. al. extremely helpful in my planning because it, too, is organized by theme, and was invaluable in helping me think about directions in which I might take my class.

I created essential questions for each unit, and I organized a list of authors for shorter works and poetry as well as assessments. I really am crossing my fingers. The materials for the AP audit are lengthy, and though I checked everything against the checklist and think I’ve built a solid syllabus (which actually goes beyond my AP training instructor’s syllabus, which was approved), I will breathe much easier when I find out whether or not the College Board has accepted it.

My AP class has been on my mind. I only meet with my classes three days per week—two 75-minute periods and one 65-minute period. A couple of weeks ago, we had a holiday on Monday and a testing/community service/college visit day on Wednesday—which are the days my 75-minute AP classes meet. We only had one 65-minute class that week, which was devoted to writing workshop of some rumination essays my students had written. I looked at the calendar and realized we needed to get an out-of-class essay in before progress reports. The rumination essay is an assignment I learned about at Kenyon this summer. My instructor, Emily Moore, assigns it to her students and shared the instructions with us. It is a combination of a literary analysis and personal narrative in which students select a quote, analyze it and put it in context, and then connect it to a personal experience. Because I didn’t come up with this assignment, I’ll link you to Stuyvesant High School’s resources for the paper (Emily teaches at Stuyvesant).

My students are currently reading King Lear and A Thousand Acres. I was really impressed with the ways in which students connected to the text in their essays, and because of the nature of the assignment, we didn’t have to have finished reading the play in order to write something substantial. I must admit, I was particularly proud of one of my students, who was also in my regular American literature class last year. He was a most reflective writer, and he quickly emerged as a strong student in that class. I recommended that he try AP this year, and of course, I was thrilled to see him on my roster. He told me recently that he is really enjoying the class. His rumination essay was simply outstanding.

However, in spite of some successes, I have still been worried about the pacing of the course. I fretted about whether I was going too slowly. I was concerned that giving students a play and a novel (and an hard play, to be honest) at the same time as they are completing college applications might be a lot, so I set the pace for reading at an act a week (in class, in small groups), while students read the novel outside of class. I grew concerned that some of my students were not being challenged. I discussed my concerns with two colleagues who also teach AP, and one gave me the obvious and insightful suggestion to simply ask the kids how the pacing was working. Of course. So I did, and they assured me the pace felt “just right” to them.

Whew.

In the same class, we discussed revising and editing their rumination essays and also doing quiz corrections for an AP-style multiple choice quiz I gave them. I suggested if they scored 7/10 or lower, they might do corrections to earn back points. One student asked if that were not unfair to students who earned 8 or 9. I said that I didn’t think two points would make a lot of difference in an overall grade, which was where I came up with my idea about 7/10, but I said he had a point, too. If students want to make corrections and think it will be a valuable use of their time to earn back two points, why not? After all, it’s their learning.

I have to say I’m learning a lot teaching this course, and I am really enjoying it. We have a really democratic classroom, and the students are a lot of fun. I am really enjoying watching and helping them learn. I am so glad I took the time to check in with my students about the class this week. I need to make time to do it on a regular basis. I invited their feedback and shared partly I need their help because I’m new to this, and partly, I really value their comments about the learning. After all, aren’t students are the best kind of AP auditors?

Slice of Life #12: The N-Word

Slice of LifeI started The Adventures of Huckleberry Finn with my juniors today, and I always like to begin study of this novel with a frank discussion of the repeated use of the n-word. In a book that uses the word over 200 times, students will be confronted with it often. I wrote the word on the board followed by some quickwrite questions, and as the students settled in their seats and looked up, there were quite a few exclamations and audible gasps. They confessed they thought I’d lost my mind for a minute.

I learned some really interesting things from my students today. The first is that one student has heard the n-word used as a verb that means something like “played a dirty trick,” as in “He really n-d that guy.” I have never heard that use before. Other students shared (and I admit students share this idea often when I teach the book) that the connotation seems different to them when the word is spelled out “n-er” versus “n-a.” I try to wrap my head around that idea, but I admit I don’t have a lot of luck.

We read an essay by Gloria Naylor about a time when a little boy called her the n-word when she was in third grade, and we read Countee Cullen’s poem “Incident,” which seems simple on the surface, but packs a punch. We also watched part of a segment from the program 60 Minutes on the NewSouth books publication that expurgated the n-word from the novel and substituted it with “slave.” The discussion is a powerful and important one to have prior to reading this novel, I think, but I have two observations:

  1. My students don’t know enough about what is going on in the news and the #blacklivesmatter movement. At all. We are going to talk about it, and if I need to, I’ll bring in the news articles. But I admit to wondering why they don’t know what is happening.
  2. The controversy surrounding this book, 130 years from its publication, which has been a part of the book’s history for the entirety of its existence, still manages to provoke thought and debate. It might be one of the most consistently relevant books written.

I close with a great quote from the preface of Oscar Wilde’s Picture of Dorian Gray:

There is no such thing as a moral or an immoral book. Books are well written, or badly written.That is all.

The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.

The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.

Plus ça change, plus c’est la même chose.

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