All posts by Dana Huff

English Department Chair/English teacher, doctoral candidate at Northeastern University, reader, writer, bread baker, sometime soapmaker, amateur foodie. Wife and mom of three.
Teaching Literature, Technology

Double, Double, Toil and Trouble

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Using an idea from Chris Renino in Shakespeare Set Free and Chris Shamburg, my students created a radio play of Macbeth 4.1, in which the witches prepare the “hell broth.” Take a listen:

Download Macbeth 4.1

Nuts and bolts:

  • We used GarageBand on my Mac. One of my students knew how to produce the echo effect. I think Audacity would work, too, but I’m not sure if it has all the effects GarageBand has.
  • We did two run-throughs without recording before we did the recording. We were happy with our first recording, so we used it as our final.
  • The crunching leaves were created by potato chips in a bowl.
  • We used a large vase with water to make the cauldron noises.
  • Students created the howling winds and dogs.

It was totally awesome! The students loved it, I loved it, and we had fun.

Update: 11/12/09 at 7:29 P.M.: I am adding the podcast created by my other British Lit. class. This particular podcast was created by only four students (as opposed to the other, which was created by 17 students). Considering their small numbers, I think it turned out extremely well. We had to use multiple tracks and do more cutting and editing, both of which made this particular recording more of a challenge.

Download Macbeth 4.1

Professional Development, Recommended Reading, Teaching Literature

Catching Up: Folger Education

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English Journal September 2009I have been trying all week to finish the last English Journal so I can gush about all the Folger goodness, but I haven’t had a chance. Lest I let too much more time slip by, I’ll discuss the articles I have had a chance to read. Mike LoMonico, as usual, is on target with his suggestions for teaching Shakespeare in his editorial. The Shakespeare Set Free series taught me a great deal about how to teach Shakespeare, but participating in the the Folger Teaching Shakespeare Institute in Decatur last year transformed how I approach not just Shakespeare, but everything I do.

I also read my friend Joe Scotese’s editorial about reading Shakespeare’s text as opposed to easy versions with “translations.” Joe’s description of the words as the tools of Shakespeare’s art (Stephen Booth) was beautiful, and I have had the occasion to bring it up twice in the last couple of weeks during teaching. Thanks for the timely imagery, Joe!

I read Peggy O’Brien’s and Robert Young’s discussions of the history of Folger’s work with teachers (and students) and its present and future. I began reading Susan Biondo-Hench’s article “Shakespeare Troupe: An Adventure in Words, Fluid Text, and Comedy.” You might recall that Susan Biondo-Hench wrote the Romeo and Juliet unit in the first volume of Shakespeare Set Free.

Several of my friends have articles in this issue. Chris Shamburg and Cari Craighead collaborated on “Shakespeare, Our Digital Native.” Cari and I were in the same TSI, and Chris and I connected at NCTE and online. I also met Chris Renino, author of the Macbeth unit in SSF and the EJ article “‘Who’s There?’: Shakespeare and the Dragon of Autism,” at NCTE last year. Chris and I both have autistic children, and though mine are younger, I am obviously excited to read his article for personal reasons as well as professional ones. Christy Desmet, who wrote “Teaching Shakespeare with YouTube,” and I have a long history together. She teaches at my alma mater, UGA, and we worked together about 12 years ago in an online cohort of new teachers, professors, mentor teachers, and aspiring teachers. Our conversations were so helpful to me as a new teacher. We reconnected at the Folger TSI in Decatur last year.

I really wanted to submit an article for this issue, but I was struggling with new roles as department chair and graduate school student, among other duties. I just didn’t have time to do it. And now I’m kicking myself because I would have loved to have been a part of this issue.

In related news, Folger has a new blog: Making a Scene: Shakespeare in the Classroom. Definitely check it out! I’m really excited about it.

I want to talk about all of these articles and blog posts in more detail when I have a chance, but the weeks have been ticking by, and I didn’t want too much time to elapse before I brought your attention to these resources (if you didn’t know about them already).

In other news, I am not able to go to NCTE this year. I knew it was a long shot because I went last year, and the economy being what it is, well, let’s just say I was fairly sure it wouldn’t happen. I do wish I could go, however, because I really wanted to meet up with some friends (not to mention the learning!). I am planning to go to GCTE and possibly ISTE. ISTE takes place in Denver this year, and school will be out, so it would be a good opportunity for me to visit family in addition to attending my first ever technology education conference, so I would like to try to go.

Assessment, Professional Development, Reflection

Interactive Notebooks: Professional Development Goal

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My school has an interesting professional development program. The first year of the program involves exploration of a topic, and choices include educational research and reflection, general teaching practices, and career and leadership development. During the second year of the program, we can either 1) write one or two goals based on Charlotte Danielson’s domains as described in Enhancing Professional Practice: A Framework for Teaching or 2) work on a project that relates directly to an improvement in instruction of our students. In year three, the focus is on teacher observation and evaluation based on Danielson’s Framework and especially focused on instruction (Domain 3).

I decided that my goal would be to increase students’ critical thinking and engagement through Interactive Notebooks. It seemed a worthy goal because I am already using the notebooks, and now I will be collecting data and analyzing their effectiveness. I have collected all my students’ notebooks for the first time over the last couple of weeks with the following observations:

  • My students in British Literature and Composition (juniors) are really getting the idea behind the notebooks. They are naturally a pretty organized group, and they remind me if I haven’t told them that I need to indicate which section items go in and whether the assignments should be on the left or right. Thus, I was pleased with what I saw when I examined their notebooks. I still need to remind students about fleshing out the left with their own ideas.
  • My ninth grade students had major confusion about the notebooks. They are not as naturally organized as my juniors, so it stands to reason they will need more help, and if I am honest with myself, I haven’t given them all the help I think they need after looking at their first notebook checks as a baseline. I would like them to make more connections, but they need more help. I am also not giving them enough assigned left-hand side work.
  • My seniors seem to understand what to do, but many of them didn’t do it. I don’t think I have buy-in with that group because they have all, except for one student, had my class before, and they liked the notebook checks I used to do. I think they liked them because it did involve a little bit less work for them. They didn’t need to make the left-hand side connections. I had assigned a reading journal for the left-hand side for this time, and only a few students completed it. I think they just weren’t reading. It’s an elective class, and I hate to go the reading quiz route, but I may have to. Seniors are kind of a different animal in terms of engagement, and I suppose I can expect they won’t necessarily be invested in trying something new.

What I need to do to improve is give my ninth graders more opportunities for connection and reflection on the left and work with my elective students to convince them of the value of the notebooks. I could supply models from my juniors so that they could see the notebooks at work. Models actually wouldn’t hurt my ninth graders either. Even with my juniors, who are doing well, I can improve by suggesting ideas and opportunities so that the notebooks, particularly the left-hand side, are on their minds as a natural part of learning.

Reflection

Rethinking Heroes

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Last year was the first year I taught my Hero with a Thousand Faces course, which is based upon Joseph Campbell’s monomyth. The course, by the way, begins with a study of the monomyth, followed by study of several works of literature and films that exhibit the hero’s journey. I wanted to start the year with a classic text, and students had read The Odyssey in 9th grade, so I settled on The Iliad. I had not read The Iliad until the summer before, as I was preparing for the course. Last year I felt that the size and sheer weight of the storyline stopped the forward motion of the course, but it was the first time I’d ever taught the work, and sometimes I have noticed that until I feel I know a work better, I spend too long on some parts, not enough on others, and with large works like The Iliad, which can be read in pieces rather than its entirety, I don’t know what to skip and summarize and what to give close attention to. I chalked my troubles up to my unfamiliarity with the text.

This year, I really think that the problem is with the book. I have slashed parts of the book from our study, and it’s still dragging. It’s just too long to begin this course with, I think, and I plan to replace it next year with a collection of Greek, Norse, and Celtic myths (perhaps Hercules, Perseus, Cuchulainn, and the like). It would give students the opportunity to practice applying Campbell’s theories to a number of short works prior to tackling a longer work. Also, I am not too sure The Iliad is the best work to illustrate Campbell’s theories: Achilles may not even be a hero, and he doesn’t really journey anywhere, and though Hector may be a hero (he was considered one of the Nine Worthies by medieval writers), his story doesn’t really fit the journey either. I love the work, and I think it’s great for students to read and be exposed to, but I am thinking it’s not a good fit for this course.

Another logistical problem unique to my situation is the fact that the Jewish holidays in September and October often create challenges in terms of timing assignments, as I cannot give students homework that is due the day after a Jewish holiday. The past two years in a row, we have encountered some problems with finishing The Iliad as the holidays approach. I think all in all, it will be a much better solution to start small with some shorter hero stories from mythology.

I think it’s a good practice to examine the books, units, and activities we do each year to see if they are still working for our current students. I was dismayed to learn this week that this practice isn’t as widespread as I thought, and I wonder why.

Issues, Technology

Teachers and Facebook

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Several colleagues at work and I had a discussion today about whether it is acceptable to be friends with students on Facebook. I held the minority opinion that it was fine, but my colleagues’ fear is that being friends with students will potentially expose teachers to illegal or just plain stupid behavior on the part of students. What is the legal responsibility of a teacher who sees a photo of a student drinking on Facebook? I think it’s a murky area that hasn’t been tested well, and until a precedent-setting case is tried, I’m not sure there’s a clear answer. I do think that each teacher needs to decide paramaters for Facebook use.

I personally do not request friendship from students. If they connect with me on Facebook, I want it to be their choice. I personally feel that requesting friendship from students could put them in an awkward position: might they feel compelled to accept because you’re their teacher? What if they really don’t want to open their Facebook lives to you? On the other hand, if a student requests friendship with me, I accept. I do not reject some students and accept others. I don’t think that’s fair. Until they graduate, any student on my friends list can only see a limited profile.

One positive aspect of using Facebook is that nothing else is as quick in terms of communicating with students. I have often asked students to get together on Facebook and study or to spread a message I want to make sure they get. Because I am not friends with students who don’t request it, I can’t use it as a reliable method to contact all of my students. I created a Facebook page, and they can become fans of that page without being my friend, but again, it’s not something I feel comfortable requiring.

I think teachers need to be intelligent and remember that anything that is posted on Facebook should be something the teacher is comfortable sharing in a major newspaper or a billboard over the major city interstate highway. If it’s not, then don’t post it. Teachers can and have been fired over injudicious Facebook postings. I do not write about anything I think my students, parents, co-workers, or administrators would find objectionable, nor do I post pictures of the same.

We do have some way to go in terms of educating our students to behave as if Facebook were public. I personally don’t look at their pictures or profiles, even if they have given me that access, but they should understand that other people will.

Instructions for limiting your Facebook profile (these instructions came directly from Facebook Help files):

  1. Login and click the “Create” link that appears beneath the filters on the left side of your home page or your Friends page. Or, click the “Create New List” button from the “All Friends” tab of the Friends page.
  2. Type the title of your list and hit enter. I use the title “Students.”
  3. Add friends to the list by typing their names into the “Add to List” field or selecting them from the list.
  4. Select “Save List” to store your changes.
  5. Mouse over “Settings” in the upper right hand corner.
  6. A drop-down menu will appear. Click on “Privacy Settings.
  7. Click on “Profile.”
  8. For each area of your profile that you want to limit, click the drop-down menu.
  9. Select “Edit Custom Settings,” which will open a field for Except these people.” Adding a friend or Friend List name here will hide the information in question from these people when they view your profile.
  10. Select your “Students” list if you want to prevent them from seeing that part of your profile.

I think this Facebook group has some smart guidelines.

Assessment, Teaching Literature

Macbeth Unit Plan

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I have not been happy with my Macbeth unit for some time. I sat down with my department chair today and brainstormed, and I have come up with a new plan that includes some serious tweaking and a performance task that I’m in love with (I only hope the students will be, too). I have left my old unit plan up for comparison.

I spent most of the evening reading through Shakespeare Set Free: Teaching A Midsummer Night’s Dream, Romeo and Juliet, and Macbeth, and I have decided that most of the unit will consist of lesson plans from this text. Even if you decide not to use all the lessons in this book, it’s an invaluable resource and perhaps one of the single most important additions to your professional library if you teach Shakespeare. Almost all of my learning plan consists of lessons from this book, and because of copyright restrictions, I have provided only the page numbers for your reference.

I used Wordle to create the Macbeth Wordle/word cloud I reference in the learning plan. You can easily create one, too. I would advise taking out words like “exit, exeunt, Macbeth, and lady” as well as other character names as they will skew the word counts in favor of character names instead of common words, such as “blood, night, sleep, and hands.”

The lesson I called “If it were done” comes from Joe Scotese and can be found at his site A Way to Teach. You will need to register and earn at least five points before you can download this lesson. Joe has a great site, and I highly encourage you to join up, particularly if you teach British literature or Shakespeare in any capacity. Essentially, the lesson involves a close reading of Macbeth’s soliloquy alongside a version from Shakespeare Made Easy; students learn that Shakespeare says a great deal on many levels with his word choices (this activity will really blow their minds; it blew mine!), and that modern translations cannot adequately substitute for the original.

Finally, you can download a PDF of my performance task. It is customized for my class. If you would like, you may keep the PDF I created for my class, but you won’t be able to make changes to it.

Addendum: I can no longer customize these handouts. Please feel free to use the one I shared here.

Assessment, Reflection, Teaching Literature, Teaching Writing

Grendel’s Ima

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I have been doing some tweaking with my Beowulf unit. In the past, my performance task has been to compile an annotated résumé for Beowulf. It’s good practice for their own résumés; my students have to compile résumés for college applications toward the end of their junior year, the year in which they study Beowulf at my school. It’s also a close-reading exercise, as each item on the résumé must be supported with an annotation. What has bothered me about it is that I want it to include more writing. Sure, it’s a specific kind of writing that I think is important. Suffice it to say something about it was bugging me, so I tweaked it this year. Instead, I will ask my students to write a letter of recommendation for Beowulf. The purpose is still the same: to analyze Beowulf as an epic hero. The assignment just looks different in the end. If you’d like to download this new essay assignment, here it is: Beowulf Letter of Recommendation. You might try this PDF converter if you want to make changes.

When I read Beowulf in high school, I didn’t like it much. Well, I hated it, if the truth be told. I took a sophomore level class in college on British literature up to 1700, and we read Beowulf again. I have no idea why, but this time, I loved it: perhaps a really good teacher, a different time of life, whatever. I have loved it ever since. It’s one of my favorite works to teach, and I enjoy being able to start the year with it. I am completing a unit on Beowulf and the Anglo-Saxons this coming week. My students, for the most part, seem engaged. I won’t fool myself into thinking all of them love it as I do, but certainly they seem interested and are participating. One of the classes I teach began referring to Grendel’s mother as Grendel’s ima. This term makes sense if you know a bit of Hebrew, for it is the Hebrew word for mother. I work at a Jewish high school, and I loved it that my students made this fun connection, so I started using the term, too.

I just collected my students’ interactive notebooks for the first time, too. It was really interesting. The two British literature classes did a good job on the notebooks. I saw real reflection and thinking. I am hoping the notebooks will become a more natural reflecting tool as the year wears on. I really liked a peek at their thinking. The connections they make and the ideas they are putting down in their notebooks are insights into what they see as important. I suppose that’s why I liked the Hebrew connection to a piece of Anglo-Saxon literature.

My department chair has talked me into using the Interactive Notebooks as my professional development exploration/goal this year. It’s new, and it can be something that I can pilot and perhaps present to my colleagues after I’ve tried them this year. My goal is to help students improve critical thinking and make connections. So far, at least based on what I’ve seen in my British literature courses, it’s working. On the other hand, I have some work to do in the other courses I teach. First of all, I don’t think all of my students have buy-in. They’re used to my old notebook checks, and they’re balking at change. Second, it’s new to me, and perhaps because it’s new to me, I haven’t found that balance of support and freedom that my students need. At any rate, I’ll talk about notebooks next week, and now I have some good models to share for students who might need them.

I’d like to be able to tie all this back to my title again, but everything I keep thinking of sounds cutesy and forced, so I’ll cop to it: I really just wanted to title this post “Grendel’s Ima.” L’Shanah Tova.

Teaching Grammar, Teaching Writing

Unclear Pronoun Reference

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I spent today at Barnes and Noble grading student essays, and by far the most common usage issue I noticed was unclear pronoun reference. I plan to do a minilesson on unclear pronoun reference when I hand back the papers. If your students have the same issue, you might find this lesson helpful.

First, students tend to have trouble with indefinite pronouns. If they use “someone” or “everybody,” they will often replace these indefinite pronouns with “their” later in the sentence. For example, “Someone forgot their pencil.” In spoken usage, it sounds OK to us because we use “their” to replace antecedents with an unknown gender. The person who left his/her pencil might be male or female, so to avoid saying the incorrect gender, we often say the incorrect number. Unfortunately, English has no gender-neutral pronoun we can use in these situations. We should say “Someone forgot his or her pencil,” even though it sounds formal, clunky, and awkward. I always suggest to students that they figure out a way to make the antecedent plural. It might not work in my previous example, but “Everyone forgot his or her lunch today” could easily become “All of them forgot their lunch today.”

Another more common issue in my set of papers was the unclear use of “this,” “that,” “these” and “those” to refer to an antecedent in a previous clause or sentence. Here’s an example: “Today girls are using abortions as a form of contraception, and this has become a lot more common.” Does the word this refer to abortions, contraception, or the use of abortions as contraception? It’s unclear. This sentence could be revised” “Today girls are more commonly using abortions as a form of contraception.” Of course, that’s provided the writer meant the third possible meaning of this. I’m sure the sentence could be tweaked even more to be even better, but at least in the correction, no unclear pronoun reference clouds the reader’s understanding. I tell students to avoid using words like “this,” “that,” “these,” and “those” alone instead of near a noun. “This problem” or “that character” are more specific that simply “this” or “that,” and I have found that students are often trying to use these words when unclear pronoun reference troubles arise. Students simply put the demonstrative pronouns too far away from the antecedents those words are replacing.

I can demonstrate correcting this usage problem using the example above in about five minutes, and it might help some of my students avoid unclear pronoun reference issues. Feel free to use and adapt this lesson as you see fit.

Reflection, Teaching Writing

A Mishmash of Assorted Thoughts

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When you update as seldom as I have lately, it seems posts are destined to become a mishmash of assorted thoughts as I catch everyone up.

First, as you can see from the sidebar, I am supporting NCTE’s National Day on Writing. I am not sure exactly what I and my students will do, but I would like to make a big deal out of it at my school and perhaps support our literary magazine in the process. Speaking of literary magazines, my daughter is in the literary magazine class at school, and it sounds like the coolest class ever. Her teacher lets them work on whatever writing they want, and they are guaranteed to have a submission published in the magazine. My daughter loves to write, and she starts lots of projects, but I hope a class like this will encourage her to finish one. Her teacher told us on Curriculum Night that students can write poetry, short stories, or even spend the time working on their novel. I was so impressed to hear a teacher talking about students writing novels. I didn’t ask if he’s going to encourage the kids to participate in NaNoWriMo. I can’t think of a year when I’ve wanted to participate more myself, but alas, grad school will most likely make that unfeasible. There’s always next year, by which time (cross your fingers) I plan to have graduated.

Speaking of grad school, this semester finds me in Graphic Design for Electronic Presentations, Telecommunications and Distance Learning, Software Evaluation, and Digital Video. I am finding it hard to get motivated to work. The degree at the end of my studies has become my carrot. One thing I have learned from my classes, and I believe it’s possibly an unintended lesson, is that students need the clearest possible instructions before they begin an assignment and that rubrics must be clear. I have turned in quite a few assignments over the course of last spring and beginning this fall in which instructions and rubrics were not clear, and I feel I lost points because of problems with instructors rather than my own work. If I do not follow directions, I expect to lose points, but it’s a shame when it’s because an instructor is not clear. I do think it’s helped my own teaching. Who wants to play the game of what does she want? How many points do you think she’ll take off for this arbitrary thing I didn’t even know I did?

Looping back to the National Day on Writing, I have a complaint to lodge about NCTE’s website. I followed a tweet by Kylene Beers to add a badge to my blog in support of the National Day on Writing. She sent her followers on Twitter to the main NCTE page. I had to hunt around for the National Day on Writing information, and even then, I couldn’t find the badges until I used the search feature (here it is, by the way, so you don’t have to hunt). Folks, we are working with teachers of all sorts of levels of technological ability, and it’s not the first time I have had to hunt all over the NCTE website for something they’re actively promoting, which to me means it should be screaming from every page. Am I alone in this, or does anyone else find their website a bear to navigate? I also have never had a response from either Traci Gardner or NCTE about the fact that the companion site for Designing Writing Assignments is missing.

In other news, I upgraded my Mac to Snow Leopard, and I like most of the improvements, though I haven’t had a chance to play with many of them. My favorite Twitter client, Nambu, is broken in Snow Leopard and those folks move about as fast as Christmas when addressing issues like that. I understand that it’s free software, and it’s in beta, so I don’t complain, but I do miss the software. Tweetdeck just doesn’t do it for me, but I find I can’t keep up at all unless I use a Twitter client.

Aside from all these thoughts, I’ve barely had time to talk about school. I have some great classes this year. My Hero with a Thousand Faces class is full, and a lot of students who requested it were not able to get in. Considering we had about half capacity last year, that tells me the word on the street is pretty good, and that makes me happy because I designed this class from the ground up. It’s a study of Joseph Campbell’s monomyth and Jungian archetypes. So far we have learned about Campbell’s ideas. To get rolling, I had students split up the section with the three parts of the hero’s journey and present their findings in groups. Then, I used a wonderful SMARTBoard notebook file (I think you need to be a member of TeqSmart to download, but it’s free) I found by James Longwell-Stevens to review our presentations. We are currently in the midst of a study of The Iliad. I found a great portfolio with lesson plans shared by a student teacher, and the calendar has been extremely helpful to me in planning. I also used some of the student teacher’s ideas. I will let students select our next text to study. My British lit. classes are also off to a great start. We are in the middle of Beowulf. I am tweaking my performance task slightly. In the past, I’ve had students create Beowulf’s résumé as a culminating activity, but I think this year, they will write from Hrothgar’s point of view to some made up king (or queen—perhaps Queen Huffgar the Wise?) recommending Beowulf for the job of monster-killer. The premise is the same. They need to do the same close reading. The format will be different, but the audience is essentially the same, too. I can still require the annotation piece, as well. Of course, I have also totally stolen Joe Scotese’s wonderful Beowulf ideas as well. No one can put together a close-reading exercise like Joe. He’s a master. My ninth grade class is wrapping up a study of Mark Haddon’s The Curious Incident of the Dog in the Night-Time. All in all, it’s been a good start, folks are engaged (or else they are good actors, which I don’t discount), and I am enjoying school very much.

My family and I enjoyed the Decatur Book Festival yesterday. It was exciting to be among so many book lovers. We really enjoyed the Georgia Shakespeare Festival‘s Will Power troupe, who did a production of Alice in Wonderland. It was a great day, even if I wasn’t able to see Diana Gabaldon after all. You can read more about it on my book blog.

Before I go, I will put in a plug for Plasq’s Comic Life software, which enables you to create handouts that look like comics (or, indeed, to create comics). They have some great layouts and fonts, and they have a great educational discount. I only paid $19.95 for the educators’ version of the software, which enables me to install it on Mac and Windows, or at least that’s my understanding. I downloaded it on my Mac, but I haven’t tried to put it on my desktop at work, yet. At any rate, it’s a fairly low price and a substantial discount, and if you like making funky handouts, it’s worth it.

Right. I’d better start my Telecommunications and Distance Learning homework, and I have an assignment from another class I need to resubmit now that I understand what I was supposed to have done the first time (but never mind, I’ve already complained about that).

Reflection

Back to School

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Last Monday was our first day back to school with students. Generally the first day is kind of a toss up because our classes are only about fifteen minutes long. I have very good classes and am teaching all the same things as last year: 9th grade Grammar, Comp., and Lit., 11th grade British Lit. and Comp., and an elective called The Hero with a Thousand Faces.

At this point, my British Lit. and 9th grade classes are discussing summer reading. We are not spending too long on that so that we can get into the curriculum proper. The 9th graders are going to create a Facebook page for the main character of The Curious Incident of the Dog in the Night-time, Christopher Boone. The Hero class is learning about Joseph Campbell and the monomyth so they can begin applying that knowledge to the books and films we will study.

I have good classes, and we are off to a good start. We implemented homeroom for the first time since I’ve been working at my school, and I think it’s working out well. I have seniors in my homeroom. We told silly kids’ jokes in homeroom the other day. We also changed our schedule to an A-B-C rotating schedule (A-days are blocks 1-6, B-days are blocs 7-9 and 1-3, and C-days are blocks 4-9). It is an adjustment. We no longer have any double-blocks, but all our classes meet for an hour. It nice because I am not having to roll lessons over to the next day as often, but between the first day and Field Day on Friday, I didn’t feel like we hit the ground running. But that’s OK. We will this week.

I am back in my old classroom after a year in a larger one, and I am actually happy to have the smaller one back. I will take some photos soon. I haven’t had a chance yet. It’s been tough getting back into the school schedule. My body is protesting about it. I have already developed a stuffy nose and I’m praying it won’t turn into a sinus infection. I just feel so busy.

My classes at Virginia Tech start back next week, and I will be taking 6 hours (4 classes): Digital Video, Software Evaluation, Graphic Design for Electronic Presentations, and Telecommunications and Distance Learning. If I am able to get my last 3 hours this summer, I can finish my degree this school year. I will have to take 6 hours again next semester. I am starting to wonder when I will hear again about my portfolio. No one’s said much of anything about it since I was asked to create the portfolio shell early last year.