Thanks to my school, I had the wonderful opportunity to participate in a digital storytelling workshop with the Center for Digital Storytelling in Denver at the Lighthouse Writer’s Workshop.
I will admit that I went into the workshop with a fair amount of hubris. I thought to myself, I’ve been teaching English for sixteen years. I know a lot about these kinds of projects. I’m a technology integrator. I know iMovie pretty well. I’d go so far as to consider myself an expert in comparison with many teachers—though I’d not go so far as to say I know everything there is to know about it, I can do pretty much everything I might want to do for school purposes. I didn’t really expect to learn very much from this workshop, but I was glad I would have the opportunity to visit my grandparents, who live in the Denver area.
On the first day of the workshop, we engaged in probably the most powerful part of the entire experience (for me), which was a story circle. We were advised to come with a draft of a script, but I tried to sit down and write one, and I found I couldn’t figure out what to say. As it turned out, very few of the participants were prepared with a script. In story circle, we each had twelve minutes to talk about our story, answer questions, ask questions, and obtain feedback from the facilitators and other participants. I think the reason it was such a powerful experience is because it was such a bonding moment. Several of us cried as we reached the heart of what it was we wanted to say, and the facilitators were excellent at provoking us to really think about what story we wanted to tell.
I started my spiel with the idea that I wasn’t going to cry at all. I told everyone I was visiting my grandparents. My grandfather is a WWII vet, and I decided I would make a digital story about his experiences in WWII. He has some really interesting stories about being inducted into the Navy, joining the Seabees, breaking his glasses and running afoul of postal censors when he wrote home asking for his parents to send him two pairs to replace the broken ones, coming up with a secret code so he could communicate with his mother, and contracting meningitis and causing the Army’s 7th Division to fall under quarantine and have their Christmas leave canceled. A couple of years ago, he was able to travel to Washington, DC on an Honor Flight to see the nation’s capital, specifically the World War II Memorial. He enjoyed the trip a great deal. So, I said to the story circle, that’s what I want to tell a story about.
The facilitator looked at me, a pointed expression on her face, and she asked me, “Dana, how is this story about you?” I was startled by the question, but I thought for a minute, and then, naturally, I burst into tears. It was about me because of everything my grandparents had done for me. It was about me because they are elderly, and I don’t know how much time I have left. It was about me because I will be devastated when they are gone.
With this much-needed clarity, I began to write my script. I was having trouble paring it down to the 300-word suggested limit. I thought I might be able to do 500 words, but 300 was too little to say everything I thought I needed to say. I decided I would just rebel and make a longer video, and I set to work with that script. The facilitator helped me record my voiceover. I interviewed my grandfather, who spoke for an hour about his experiences, and I selected the parts I would use in the story. I scanned lots of pictures my grandparents had around the house.
When I began stitching together the different pieces, I accidentally deleted a whole segment in which my grandfather goes into some detail about having meningitis during the war. After I listened to the video, though, I realized I didn’t exactly need the clip, so I let it go, and I actually managed to get the video at the upper time limit. I never thought I’d do that. It has taken me a couple of weeks’ worth of soul-searching and wrestling to decide whether or not to share the story I created.
The experience of making the video convinced me to pull digital storytelling into my own curriculum. One natural place I could see it falling is in my American Studies in Literature course. I had already decided to incorporate This American Life into my American literature curriculum, as I see media like podcasts and videos as the new “wave” of writing/storytelling. Well, maybe not so new anymore, but you know how it is in education. Near the end of the year, I plan to explore the theme of the journey. I did not select a large number of works because I knew I wanted to do a culminating project of some kind. The journey, can, of course, be a physical journey. It can also be an inward journey, a self-discovery. Like my video was, after a fashion. Here is another example from the Denver director of the Center for Digital Storytelling:
It really impacted me when I watched it. Obviously, I would not ask students to tell stories that they are not ready to tell, but I think this could be one of the most powerful experiences for my students:
- We all have stories, and think about how important it is for us to tell them. Think about how interesting your average episode of This American Life and The Moth is. Think about how entertaining it is to read, say, David Sedaris.
- We often ask students to read the stories of others, but we don’t ask them to tell their own. We ask them to analyze the stories of others.
- Digital storytelling is a new way of sharing narrative. In the past, we listened to storytellers. Then we read. I think this might be the next thing. Not that we stopped listing to people tell stories or that will will stop reading. But this adds a new dimension to storytelling.
- The “writing” aspect of this project is some of the hardest writing I have ever done. I can see people challenging the idea that this is writing, but drafting the whole story was an extremely challenging and rewarding process.
Here is more of Daniel Weinshenker on storytelling:
One aspect of the process that I will definitely borrow is the story circle. It fits hand-in-glove with the kind of writing workshop I have been doing in my classes.
In the end, I even learned some useful technical tricks that made my video better (and here I thought I was an expert!).
Years ago, I was in Coleman Barks’s last poetry class at the University of Georgia. The final project we did in his class was to bring our own poetry to class and share it. Dr. Barks anthologized it. He told us explicitly that after we studied the great 20th century American poets, we were now among them, the next generation if you will. And I believed it. I want to give that gift to my own students.
If you have a chance to take one of the Center for Digital Storytelling workshops, don’t hesitate. They do excellent work. Next to Folger Teaching Shakespeare PD, it’s the best PD I’ve ever had in my life.
Photo by Jill Clardy