All posts by Dana Huff

English Department Chair/English teacher, doctoral candidate at Northeastern University, reader, writer, bread baker, sometime soapmaker, amateur foodie. Wife and mom of three.

Understanding by Design

Understanding by Design: Professional Development WorkbookI have been looking through Jay McTighe and Grant Wiggins’ Understanding by Design: Professional Development Workbook most of the day today. I am working on a unit on the Harlem Renaissance using the ideas behind UbD, and I would appreciate feedback. You can download the unit (one page) in MS Word. I am most concerned that my performance task, while authentic, doesn’t explicitly address the Understandings and Essential Questions. Let me back up — it does address those issues, but it is more of an inference than an explicit relation.

One of the things I like about the workbook is that there are plenty of examples of how other educators have created units based on UbD. Since Jay McTighe discussed the importance of models when he visited us for a workshop on Thursday, I find it refreshing that he “practices what he preaches,” so to speak. So often educators insist we should do this or that, but they don’t explain how in a way that’s easy to understand. I also like the fact that templates are included in various formats to enable easy photocopying.

I can’t remember the last time I walked out of a professional development workshop this excited about trying what I’ve learned.

On an unrelated note, I have noticed that many of you still have me linked at https://www.huffenglish.com/blog/. There is a redirect in place there that will bring you here, but I was concerned that those of you who might be reading via a news reader would not have seen that I’ve updated in the last couple of months unless you’ve seen the updated link.

Looking at Assessment

Our school was fortunate to be involved in a meaningful professional development opportunity led by Jay McTighe today.  I think it might revolutionize my teaching.

McTighe’s contention is that we as educators think about what objectives we need to assess — state or school standards, for example — then we think of activities.  What we don’t do is think like assessors.  We don’t think about how we are going to assess what the students have learned.

McTighe calls his model for planning “Backward Design”:

  1. Desired Results — these are the standards with which we work; objectives, essential questions, etc.
  2. Evidence — how are we going to “determine the extent tow which students have achieved the desired results”?  What performance tasks and rubrics are involved?  What other evidence (quizzes, tests, prompted writing, etc.) will we use?  What sorts of self-assessments will we ask students to complete?
  3. Learning Plan — this is a reference to the activities and assignments we will do to ensure students learn the material.

I found this interesting, because I usually construct assessments after I’ve planned what we are going to do — not before.  What often results, I think, is that students aren’t clear about what they need to do to demonstrate their learning.  They want to make good grades, but they don’t know what I’m looking for.

McTighe suggests models of assignments.  Three examples each of exemplary work, good work, average work, and poor work.  This can take years to collect, but I see the value.  Students know exactly what they need to do in order to get the grade they’re after.  In the words of a teacher McTighe referenced, “No mysteries, no excuses.”

I think some of the things we learned are so intuitive — I wonder, and I think I wasn’t alone, why I wasn’t doing it.  Of course, I do some of it.  It’s strange, because it finally dawned on me why one of my projects usually works so well.  All I knew about it was that it worked, but I didn’t really know why.  I know this sounds strange, but bear with me.  McTighe contends that authentic assessment asks students to apply what they have learned to solve real-world types of problems.  I’m not sure this is something you can do every time, but I think it needs to be done often.  My project is a blind date between Emily Dickinson and Walt Whitman.  Students record the results of the date and use some of their writing in the poets’ conversation.  Students frequently get “into” this project and do a wonderful job with it.  I didn’t realize it, but the reason it was good is that I was asking students to apply literature.  I was asking them to take to very different, very influential American poets and compare/contrast them.  Inevitably, students do very interesting things with the poets’ divergent philosophies.

McTighe shared a great unit plan for Catcher in the Rye constructed by English teacher who attended his workshop.  After having taught this novel, one thing I’ve noticed is that despite the fact that the novel explicitly describes Holden’s current location as a mental hospital, students become so lost in the story Holden tells that they forget that.  The English teacher’s plan places students in the role of an expert — “the member of an advisory committee to the hospital where Holden Caulfield is telling his story.”  After students read the novel, they will be asked to “write 1) a summary report for the hospital; 2) a letter to Holden’s parents explaining what is wrong with Holden.”  Students also do conventional work, such as an essay, quizzes, and a reading journal.  It’s a great plan, and if any teachers wish to see a copy of it, just let me know, and I’ll figure something out.

One of the things I like about McTighe is that he sees traditional assessments such as quizzes and tests as important, but also encourages assessments that ask students to apply, to self-assess.  His analogy of assessment was likened to photography.  We should not rely on a single snapshot depicting what a students knows; rather, we should help students construct a photo album.

McTighe shared links from his website.  My favorite was the one to Greece, NY Schools ELA Home Page.  English teachers — you need to check this site out.  Lots of great rubrics!  Another thing I found interesting is a mathematical formula for use with rubrics.  Here is an example from Fairfax County (VA.) Public Schools.  I know that scoring students in four different criteria on a four-point rubric, for example, doesn’t work if I give students threes across the board (which would yield 12 points) and divide that by 16.  The score is too low.  This has been a problem I’ve had with rubrics for years.  Finally!  Someone told me what was wrong.
This was exciting.  I love it when professional development is energizing and invigorating.

Gatsby Redux

I want to try to get started restoring older blog posts later this upcoming week. Midterm grades are due, and I’m still behind, so I don’t see having time to start until after that.

I did briefly want to share some of my experience teaching The Great Gatsby this year. About midway through the book, one of my students said she was sitting outside reading the book, and at least five older students stopped to tell her how much they loved the book. Another shared that he didn’t want the book to end because it was his favorite book this year. Discussing this book with my students has been a treat. My Honors class was asked to read a segment of Azar Nafisi’s Reading Lolita in Tehran (when Nafisi’s students put Gatsby on trial) for Monday, and I’m really looking forward to that discussion. I really wish I had taken the time to record some of my students’ insights earlier this week; now it’s Friday, and I’m too tired to do them justice!

Each year, students invariably ask about the book’s cover, Celestial Eyes by Francis Cugat. If you teach Gatsby, you might want to point your students to “Celestial Eyes: From Metamorphosis to Masterpiece.” It is a very interesting essay about the evolution of one of the most famous book covers in American literature. Also, you may be interested to learn that it was on this date, March 10, in 1948 that Zelda Fitzgerald died in a fire that swept through Highland Mental Hospital.

I’m Behind

Once again, I have fallen behind. I have stacks of papers to grade. I have about three or four education articles to read and write about. Oh, wait. Make that five, because Jay McTighe is coming to our school for a professional development day, and I have a large article to read in order to prepare for that. On top of all that, this blog sits, neglected. I haven’t had time to work on restoring it, nor have I had time to write much new content. I know that people are having trouble finding their way around, too, because my statistics show what I imagine to be desperate searches for material I had in a more easily accessible place on the old server.

None of it goes away if I procrastinate, either, darn it.

Headache

OK, there is a way to restore my blog posts automatically by converting the HTML into an import file. The trouble is, I can’t figure it out. My technological understanding doesn’t extend quite that far, I’m afraid.

I still have the posts. I am just going to have to go the manual route, which means it will be some time before they are all restored. Just bear with me! I think the most important parts of the site, at least as far as teachers go, have already been restored (my web activities for students). You don’t know how bad I felt when the site went kaput — I knew teachers had been using the online activities, because my site statistics would show something like 40 computers logging on to the site from a school computer lab all at the same time. I thought about how I would feel if my lesson plan was disrupted by the sudden unavailability of the website I was using. Of course, the best of us have a plan B, but still… Anyway, that part of my site was the first to be restored.

Keep watching this space!

Site Restoration

I have great news.  My former hosts finally responded to my repeated help requests and managed to help me figure out how to get my files off their server.  I tried it last night, and I was able to download all of the files.  It will take some time to restore everything, but the good news is that the blog entries, handouts, Power Points, and all the pages are intact.  I just need to work at getting them uploaded and working with this template.

Should He/She Be Teaching?

I’m usually a pretty nice person, but what I’m about to write might be considered by some to be somewhat mean.

I was friendly with a woman in college. She had the same major as I did — English Education. She was a sweet girl, but let’s be blunt — she was dumb as a rock. The prospect that she would be a teacher used to make me feel very uncomfortable, and I would never have wanted her to teach my children. She wasn’t smart enough to be a teacher, in my opinion.

I can’t remember where, but in the EduBlogsphere of late (I would appreciate links, if you have them), I have seen more than one post about education majors having low test scores and grades compared to students in other disciplines. The implication is “those who can’t, teach,” and as a teacher, I just know that you are not going to make it if you aren’t intelligent. You won’t be able to answer student questions. There is nothing wrong with saying “I don’t know, but I’ll find out.” If you have to say it all the time, then one must wonder why you’re in front of a classroom. Teachers have to know something in order to teach it, don’t they?

My friend didn’t make it as a teacher very long. I reconnected with her when I was back in college finishing my degree. She complained to me about an English Education professor she said was “mean” to her, who had discouraged her at every turn. I couldn’t bring myself to say so, because I am just not that direct when I know it could be hurtful, but the thought definitely crossed my mind that her English Education professor was trying to do the best thing for both that woman and her future students and convince her that she wasn’t cut out to be a teacher. Predictably, she lasted about year and quit teaching. I wonder about the high statistics involved with teachers.

According to research by Richard Ingersoll, a professor of sociology at the University of Georgia, 11 percent of teachers leave the occupation after one year on the job. After two years, 21 percent have quit; after five years, 39 percent have quit.

I agree that it is sad that so many teachers quit because they feel a lack of support. I myself have been in that situation, and it is absolutely insufferable. I can remember hating my teaching job so much that I cried on the way to work, especially after a break, and I checked off days in the calendar so I could say to myself that I made it through one more day and was one day closer to the end of the year. It is a sad state of affairs when adminstrations allow discipline problems to become so pervasive that teachers feel as if students run the schools, and it is equally sad when teachers are blamed for those problems instead of supported and assisted.

I included this information to make it clear that I am not saying that I believe a majority or even a sizable percentage of teachers quit because they can’t cut it intellectually. But there must be some, and I do wonder what part of that percentage they make up. There is a notion that teachers are not intelligent, and it doesn’t come from nowhere. And what do you do if you have a colleague that doesn’t cut it? I’m not sure there is really anything you can do, except complain about it (not necessarily to the administration).

I think one way we can solve the problem is to make teachers a part of the hiring process. After all, we are the ones who will be working most closely with these potential colleagues. Should we not have a say in who those colleagues will be? Some schools have implemented this sort of hiring process, and I myself have been involved. I think I could have interviewed my friend for about five minutes and discovered she wasn’t going to work out. I don’t think principals can always do this alone, especially if they are interviewing someone outside their discipline.

The Great Gatsby

This week I begin teaching The Great Gatsby. Of the American literature novels I teach, it is perhaps my favorite. I confess I have a crush on F. Scott Fitzgerald. I am in love with his way with words, his lavish description. It is perilous to teach something we love.

Rebecca Hayden wrote an article entitled “Teaching Works We Love: Hazards of the English Classroom” for the March 2005 issue of English Journal. Hayden writes of an experience teaching Tess of the D’Urbervilles to a group of students who, well, didn’t exactly share her appreciation for “the novel she credits with turning her into an English teacher” (41). In a pull quote that aptly sums up the gist of the article, Hayden writes,

Like many English teachers, I feel that favorite books are part of my soul, and the question arises, To what degree am I willing to bare that soul to hundreds of adolescents, who may be harboring their own quirks, prejudices, and lightning-quick dismissive judgments?

I think what makes us nervous about teaching works we love is that our students seem to complain about everything they’re required to read, and we just can’t bear to hear that when it’s in reference to our favorite books.

I overheard a conversation between two seniors at our school. They are taking a film class that will serve as their English credit for second semester before they go to Israel (all of our seniors have the opportunity to complete their senior year in Israel). They were actually complaining. Imagine! Watching movies for school… and yet there is still something to complain about! It seems they don’t like the movies — classics such as North By Northwest and On the Waterfront. I know, I know. Sometimes I think there is just no making students happy — unless they have complete choice, I suppose. I’ll bet they’d still complain.

Hayden wonders, near the end of her article, “whether it was worth bringing [her] private self into the classroom” (43). She asks herself, “Why bother?” Indeed.

Last year before I began Gatsby, I actually read this article to my students. I thought about it, and I decided it might be interesting for them to know how I really feel about this book — actually come right out and tell them that when I teach it, I am holding my figurative heart out to them and hoping they don’t rip it to pieces.

It worked.

Students responded to the vulnerability and the passion. I doubt they enjoyed the book as much as I hoped. But I do think the students learned a larger lesson. I suppose one could say they learned I’m human. Or perhaps it’s just a little about my background — who I am. Or maybe it’s even that books can change lives, and this one changed mine. It might not have changed theirs, but perhaps another one will.

I guess that’s why we bother, and ultimately, why we teach literature. Or anything at all, for that matter.

Work Cited: Hayden, Rebecca. “Teaching Works We Love: Hazards of the English Classroom.” English Journal. 94.4 (March 2005): 41-44.

Ideas

OK, I have opted for something simpler for my Ideas page.  It will be a collection of links to my lesson plan wiki, where I will house all my lesson ideas.  I am still restoring handouts and Power Points, so forgive me if some of the links aren’t working correctly yet.

I read a couple of good articles in Reader’s Digest.  I know a lot of you want to give me a hard time for reading that magazine.  Go ahead; I can take it.  Anyway, one was an excerpt of Frank McCourt’s new book Teacher Man, and the other was about cheating.  I have decided I definitely want to read McCourt’s book, as it looks decidedly more uplifting than Angela’s Ashes, which I couldn’t finish.  I have some thoughts about these two articles that I want to share here.

My school is also embarking on professional development regarding assessment, and I have some good articles that I would also like to discuss here.  So, watch this space!  I’m going to be discussing education here again, soon!